Amazing Adventures of Spiderman, The | |
| This ride marks the first time that 3D images were used with a moving ride vehicle to create high quality (and more importantly, believable) three dimensional effects. The results are outstanding, easily standing up to the hype from before it opened. While you are in a moving ride vehicle, it also has many of the actions possessed by motion simulators. It can therefore produce a very wide degree of sensations while moving around the city. The 3D images track with the vehicle quite well. The Amazing Adventures of Spiderman is also one of the most popular attractions and typically has one of the longest lines in this relatively new park. Much of the queue line is inside the building and is a replica of a newspaper office. You walk through the office between the desks. Be sure to note the details there, as with many Orlando area attractions, the attention to detail is superb. | |
| Status | Operating |
| Class | Modern Darkride |
| Cost | |
| Last Updated | March 1, 2009 |
| Awards | #6 Favorite Darkride (DAFE, 2009) #7 Favorite Darkride (DAFE, 2008) Best Dark Ride (Golden Ticket, 2008) #4 Favorite Darkride (DAFE, 2007) Best Dark Ride (Golden Ticket, 2007) #5 Favorite Darkride (DAFE, 2006) Best Dark Ride (Golden Ticket, 2006) #2 Favorite Darkride (DAFE, 2005) Best Dark Ride (Golden Ticket, 2005) #5 Favorite Darkride (DAFE, 2004) Best Dark Ride (Golden Ticket, 2004) #6 Favorite Darkride (DAFE, 2003) |
Park Info | |
| Name | Islands of Adventure (Universal Orlando Resort) |
| Status | Operating |
| Address | 1000 Universal Studios Plaza Orlando, Florida 32819 USA Google Maps |
| Contact Info | Phone: 407-363-8000 FAX: 407-363-8290 Website: http://themeparks.universalstudios.com/orlando/website |
| Last Updated | March 1, 2009 |
All ride and park names are registered trademarks of thier respective parks and parent companies. Additional trademark and copyrights may apply, please consult with the approriate company for complete details.
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The darkride database has been a tremendous amount of work and would not be possible without assistance from the following editors and contributers: Derek Clayton, Rick Davis and Al Stromer .


